(Note from Dr. Zombie: I wrote this while I was on vacation last week after having a pretty wicked nightmare. I've toyed with the idea of trying to convey the strange world I see when I close my eyes for years. This is a sad attempt.)
In Ex Oblivione, H.P. Lovecraft wrote, "In my dreams I found a little of the beauty I had vainly sought in life, and wandered through old gardens and enchanted woods."
Lovecraft had a deep, vivid, and rich dream world; a world populated by fantastical creatures, beautifully hued and perfumed seas, verdant forests, ancient and stately cities, and kingdoms that lazed beneath soaring mountains that stretched into the violet, snowy depths of unimaginable heights.
For my frequent readers, you know that Lovecraft is my favorite writer of horror and weird fiction. I can only aspire to write as well as he did... to create the strange things he did and convey them to the printed page so well. I do, however, have one thing in common with him.
We both have a dream world.
Some background... I have, my whole life, suffered from night terrors. I have labored under - at first - a sense of shame. Nothing makes you the weird kid (or at least weirder than I already was) than to be the kid who wakes up screaming and panting at the slumber party, or having to bashfully explain to college roommates that no, I wasn't in fact, batshit crazy when I woke them in the middle of the night with guttural, harsh screams that sounded like I was being murdered.
That shame changed to a weary resignation as I got older, and my friends accepted my eccentricity. Now, only my wife deals with it... although she does show the occasional exasperation at my nocturnal terror.
"You woke me up fifteen times last night, you moron," she will sometimes say, "If you weren't tossing, turning, and moaning - you were screaming and hitting me".
"I'm sorry?" I would say, not sure why I was apologizing because, in a quirk of irony, or perhaps fortune, I often forget my true balls out, heart-wrenchingly terrifying, night terrors.
That's right, when I have a true night terror, I don't remember what I dream about. I have no idea what it is that makes me wake up, my throat sore from screaming and my body covered in a sour, clammy sweat. I often wonder how terrifying the dream must have been because my regular nightmares, which I have on a nightly basis, are crazy intense.
In addition to the night terrors, my dream world is extraordinarily deep and vivid.
I have, my whole life, dreamed of a dark city. It's crazy to me that - for as long as I can remember - I have wandered its streets. Whether I was a child, or an adult, I know it as well as the street I grew up on as a child.
I could draw a map of it, and I've often toyed with the idea of doing just that. Instead, I'll take you on a short tour. Be forewarned, it's not a bright, beautiful place like the majority of Lovecraft's. My dream world is not a pretty place. Don't say I didn't warn you...
It's a dark, old city where it is often gloomy and rainy. It's is on a cold river that stretches wide between between its banks. Across its black, inky waters is another city that I've visited only once or twice. You can reach the other side only by taking a ferry run by a crotchety, ancient, old Italian man who only takes payment from those who can afford it. The fare is a combination of money and other things that are expressly forbidden - things that can only be obtained by spilling blood.
Near the ferry, there is a hospital. I don't go to the hospital anymore. I used to explore it when I was younger, and remember sitting on its roof, looking across the stormy river to the twinkling lights on the other side. My earliest remembered dream of the hospital began when I was seven or eight years old, and even then I wondered why my dream world was decayed and why the lights only worked half of the time. I stopped going there when I was twelve. That's when I met a serial killer named Carl. He pursued me for months in my dreams, and he finally caught up with me at the hospital. He murdered the night nursing staff, and strung their innards like party streamers around the main waiting room. He seemed hurt and angry when I didn't like his decorating. He pursued me from the modern, white antiseptic halls of the newer hospital to the closed, rotting, creaking, dimly lit Victorian-era older section of the hospital. He cornered me in a morgue with bloodstained tables and gore-clotted, rusty surgical instruments.
I mercifully woke up just as he caught me, but I've met him on and off through the years. Those are never good dreams. He's always enraged because I can escape him by waking up... but that doesn't mean he's going to stop trying to kill me.
Up the hill from the hospital is the city proper. It is an old city. It is a combination of different architectural styles. It has the riverfront area, which is ancient and old. It has tall Tudor-style buildings that are built one on top of the other. They are too tall, and when one walks the inclined, unevenly brick-paved streets, the buildings lean crazily towards one another and it feels like you are often walking through a tunnel. A couple years ago, I went to Universal Studios in Orlando for a work outing and remember getting a chill when I saw the sway-backed and tilted buildings of Hogsmead in the Harry Potter section. They were so eerily familiar, I felt an almost suffocating sense of deja vu. If they had built the buildings closer, and it was foggy and rainy and cold, instead of tropically warm, I would have felt like I was dreaming.
Between the twisted, hulking silence of the buildings run alleys strewn with offal and stretching into unwelcoming darkness. You NEVER go into the alleys... no matter who's chasing you or whatever you might be running from. Dark things live there. Nasty things. Hungry things.
Outside of the river port, as you ascend the crooked, maze-like Main Street you enter the newer part of town. It is an odd mix of turn of the century farm town with blocky buildings. It looks much like downtown Willoughby, or downtown Bowling Green, OH and it always feels like it's autumn there. The leaves are always brown and withered and blow down the quiet street with insect-like rustling. Half of the building are empty and shuttered, and the few shops that are open seem dusty and on the verge of closing.
At the intersection at the center of this portion of town, on the southwest corner, is a bookshop. I own the bookshop, and it is a refuge from the darkness of the town. It is quiet, has a warm potbellied stove in the corner and comfortable leather chairs. It smells deliciously of old books and tea.
Behind the hometown feel and facade of the buildings on Main Street to the west, the city stretches on for miles and looks much like the deserted industrial areas of Detroit, or my own Cleveland Flats. It is an endless, decayed, abandoned stretch of Rust Belt factories and foundries that I've spent years exploring. The rats are as big as dogs, but I also feel oddly comfortable there.
Far to the east of the city,is a university. It is mostly a place where I have those stupid dreams of going to classes naked and the indignity of having to leave my wife and children to move back into a dorm rooms. The campus itself is a place lost in time. It is a former world's fair site, and has the feel of Walt Disney's original plan for Disneyland. It is an anachronism in that it is the 50's version of what the future will look like; only it's now only old, uncared for, and filled with students I once long to meet, then met and went to classes with, and now vwho look at me with undisguised disgust because I've grown old and no longer fit in there. The campus itself has walkways, and the classrooms are in buildings that are shaped liked Flash Gordon rocket ships. The library sits at the center of the campus, a round building like the abdomen of a white concrete spider, with mirror-like windows. It is surrounded by empty fountains. It moves up and down on a spire like a massive version of those old amusement park spire rides. It frequently gets stuck, especially when you need to be somewhere. The dorms are in a building on the east end of campus, and the building soars upward with at least 100 or more floors. It has claustrophobic elevators, tiny rooms, and miles of steps and elevator shafts.
Returning to the Dream City, you follow the Main Street of the town south, past the rows of blocky buildings, and the land slowly climbs and grows hilly. The town ends and the country begins there. The hills are covered in dark green kudzu, twisted old oak trees, sad and lonely willow trees, and the occasional cornfield. Standing guard over the wilted, brown, rustling stalks of corn are weathered scarecrows who follow you with their eyes when you walk by.
Out here, south of the city, is a house I inherited. I don't know who left it for me, I only know it is mine. It is a large, hulking Second Empire style home. ( And no, I had no idea what type it actually was. I only know what it looks like. I actually had to look up the Architectural style when I started writing this - I found a couple picture on the internet that are similar to the style.)
The house is old and needs a lot of work. The exterior is weathered and is painted mostly a dark gray so old it looks almost black. Inside, it has creaking hardwood floors, but beautiful woodwork and bright, Victorian wallpaper. The furniture is mostly antiques and my master bedroom has an overly large framed bed. The wind blows through the house in the winter, and it has upwards of seven or eight bedrooms, each with a fireplace that does little to chase away the chill. At the rear of the house is a ballroom it is a large open space that soars upward three floors. There are hallways from the second and third floor that act as balconies overlooking it. It is in serious disrepair and I seldom go in there. The floors are unsafe.
It makes me sad because it is no longer used.
I suspect the house is haunted, but the ghosts like to stay out there in the ballroom. I don't fear the ghosts, Although they are mostly harmless, they do sometimes scare guests and like to make a racket when I am trying to sleep. My home is not always safe, and I'm not talking about the occasional wailing spirit. Sometimes there are monsters there, and serial killers, and all manner of unpleasantness. I'm used to it.
Behind the house is a dark strip of wood with a twisting dirt path that leads to an open field. This is one of the many bright places in my dream world. It always seems warm there, and it feels like mid-summer dusk. The wind blows the tall grass gently, and there are several willow trees and the eerie green twinkle of fireflies in the growing gloom. There's a pond there, with a long dock where I often sit quietly, listening to the sound of crickets and the buzz of small insects. I seldom have nightmares there, although a few times, I've fled hordes of zombies to the very edge of the dock to take refuge in a small rowboat I have moored there. Once, the serial killer, Carl, pursued me there and shot at me as I hid under the dock in the warm water. I felt the last of his bullets strike my head and I jerked awake, screaming in pain, depriving him of yet another kill.
There are other places in my dreamlands. I've spent almost 40 years exploring it, and like I said, I could draw a map of all the places and their relationship to one another. There's the lighthouse that overlooks where the dark river flows into the sea miles away from the town and perched above craggy bluffs. I go there sometimes to watch the yellow moon travel across the sky and read. There's the train station near the center of town, a large place with shops and people who scurry to the university or on to other places outside of my dream city. There's the endless rows of bungalows and colonials in a suburb to the southeast of town, eerily abandoned long ago like the test towns the goverenment built in the 40's in the Nevada desert.
I visit these places at night, and know them as well as I know my own house. I dream of them, have nightmares of them, and I sometimes forget that they're not real. The places there aren't as sexy as Lovecraft's. And I've rarely strayed from my dream city, mostly for fear of what lays beyond it. It's can be pretty horrible in the city... I can only imagine what the world outside of it's like.
I sometimes get story ideas from the nightmares I can remember, but - truthfully - I can't write about a lot of the people and monsters I meet there. They're too terrible to share with the world.
Seriously.
People will begin to think I need therapy.
Wednesday, August 08, 2012
Sunday, August 05, 2012
Dammit! Almost Made It...
So, as you all know, I'm a wee bit strange.
Case in point, every October, when Halloween rolls around, they stock my favorite cereals in the world. I remember when I was a kid that they stocked it year round, but now - sadly - they only put out the Monster cereals once a year. The bastards.
Of course, I'm talking about the sugary, spooky awesomeness that is Boo Berry, Count Chocula, and Frankenberry.
Few things remind me of my 1970's, geeky, weird, monster film-obsessed childhood more than eating a bowl of monster cereal while watching horror movies. Old Count Chocula was my companion on Saturday afternoons while I watched Cleveland's own Superhost and classic Universal Horror films. Boo Berry was my best friend and I gobbled him down every late Friday night while watching the creepy cool Hammer Films on Big Chuck and Little John. And Frankenberry was there for every alien invasion and 1950's mutated monster/insect film in between.
So, in that vein, I look forward every year to that magical time of Halloween when I can be reunited with my old sugary pals. And, the last couple years, I've made an effort to lay in enough of a stock to last me through the long year until it's available again.
I made it until about an hour ago.
I needed some Monster Cereal goodness... and I finished my last box.
Seriously. Here's a picture I took to honor the occasion. At about 11:30pm on August 5th, I ate my last box of hoarded Boo Berry.
Two fucking months short of October.
Admittedly, I made it longer this year than I have in the past... but now the waiting until October starts. And it's infinitely torturous when you know you can't have something. When it was in the cupboard, there when I wanted it, it was fine. But now? Now the Monster cereal twitches start.
On a related Halloweeny, October note; myself, Wolf Girl, and Zombie Boy had our first preliminary Haunted Yard meeting tonight. I don't know about you, but I'm tired of this unrelenting summer heat, the sun and its angry brightness and its desire to kill me. I'm sooooo ready for fall, Cleveland Browns football, clambakes, cool weather, pumpkin brew beers, falling leaves, and HALLOWEEN!
Now though, I can occupy myself with planning the best haunted yard display to date, and soothe myself with warm memories of Count Chocula and his cartoon friends.
God knows I can't assuage my hunger by drinking it away. I drank my last bottle of hoarded Great Lakes Seasonal Nosferatu back in June.
Dammit.
Monday, June 11, 2012
REDRUM!
In my ongoing quest to visit cool horror related places, I found myself in Colorado for work last week.
I was torn between where I was going to go.... I mean, how do you follow up a tour of the house from Texas Chainsaw Massacre?
So I went to Colorado with two potential plans. The first was to return to Pikes Peak. You see, I went to Colorado for the first time back in 2005 or so. I took the time to visit the breathtaking Garden of the Gods, as well as drove up the twisty, windy Pikes Peak Highway. It was March and, although it was a comfortable and balmy 70 or so degrees in Colorado Springs, by the time I got to the Glen Cove rest station around 11,000 feet elevation, it was 20 degrees and the road any further up was impassable due to snow.
I was so impressed by the mountain and the rugged beauty of Colorado's Front Range, I began writing a short story on the plane ride home. The basis of the story revolved around my endless preoccupation with answering the question of 'What's your plan, Dr. Z, if the zombie apocalypse happens RIGHT NOW?'
This mental exercise was made even more interesting to me because, after seeing Pikes Peak and its remoteness, and considering I was further away from home then I'd ever been (save a trip to London on my honeymoon); I was dealing with the fact that I had to figure out how to get home across thousands of miles of open ground. It seemed entirely plausible to me that, if one was hiking in the remote wilderness of the Front Range or the Rockies, the zombie apocalypse could smolder, spark, and turn into a flesh-eating wildfire without your knowing it. Imagine emerging from the back country to find the world completely changed and damn near post-apocalyptic?
That short story - when combined with another that I'd recently written about a zombie-like virus - morphed into my second novel, A Darkness Within.
My plan was to - since its June - ride up to the summit of Pikes and maybe take some pictures of the sites that inspired my protaganists Sully and Laura's story.
However, one of my coworkers changed her flight and needed to get back to Denver early... which threw a monumental, Ebola-ridden, and entirely mangy monkey wrench into my plans.
So I moved to Plan B.
Was Plan B better? Probably not. But at least its tangentially related to horror... so I guess it'll have to suffice.
I decided Plan B was to visit the Stanley Hotel in Estes Park CO. While closer to the airport than returning and driving the crazy time consuming Pikes Peak Highway, I headed north of Denver and into the wilds of the Colorado Rockies. I drove straight into the world of horror great, Stephen King.
Driving past Boulder, the home of King's 'Good' side in The Stand - where Mother Abigail leads her wayward flock - I began the slow climb in elevation to the famous hotel that inspired one of King's best novels. That's right, faithful reader... I found myself on a roadtrip up to the hotel from Stephen King's The Shining.
Well, sort of...
You see, Stephen and Tabitha King decided to take a small vacation while they were living in Boulder and stayed at the Stanley in room 217. Unknown to them, they had booked their get away the day before the hotel closed for the season, so they found themselves the only residents for the short time. Given the hotel's history of hauntings, as well as the downright creepiness of a huge hotel where you're the only guest - it's only natural that King's imagination took a turn for the macabre.
Although the story may be apocryphal, it's said that King had insomnia and spent the night sitting up, creating and planning The Shining in his head.
The Shining went on to become a bestseller, a pop cultural touchstone, and was turned into one of the better (if not the best) adaptations of Stephen King's works.
Kubrick's masterpiece - featuring a tour de force performance by Jack Nicholson - is hands down one of the best movies of the era.
But, it goes without saying, the Kubrick masterpiece was NOT filmed at The Stanley. Alas, the film was shot at a hotel in Oregon - - but the Stanley's contribution to horror cannot be denied.
Plus, I feel a certain kinship to dear old Jack Torrance. He's a writer, I'm a writer. He likes drinking, I like drinking. He's prone to psychotic breaks and homicidal tendencies and I'm... well, nevermind.
Fortunately, if you're looking for a celluloid tie-in, I do have to mention that the remade TV miniseries starring Stephen Weber was filmed at the Stanley, which has a nice sort of karma to it, don't you agree.
Anyway, on to the travelogue.
So I drove on and, soon enough, found myself inundated with the earthy, delightful smell of junipers and pine trees as the elevation and flat plains of Colorado gave way to the majestic craggy canyons and mammoth rock faces of the Rockies. Around 7800 feet in elevation, lying in a valley below towering 14,000 foot peaks, is the town of Estes Park, Colorado.
And here's where my disappointment settles in.
You see, the Stanley, knowing its a tourist destination and that it has a unique place in literary history, charges you to go on its grounds. I, unfortunately, didn't have any cash and a talk to a nice lady at the Estes Park visitor center said the hotel frowned on horror geeks running around and snapping pictures inside the hotel. It apparently pisses off the guests. Whatever. It's a business - I get it. But they also have no problem touting the hotel's history and tie to Stephen King. Hell, they even run Kubrick's Shining non-stop, 24/7, on a channel in all their rooms. But, I was not deterred by their blatant capitalistic money grab.
I just took some pics from the grounds.
Here's a shot from almost straight on.
You may not know this, but the entire front lawn of the place is infested with prairie dogs. While I was snapping pictures, I had two especially vocal prairie dogs pop out of their holes and squeak at me in consternation. These are they.
By the way... I named the first prairie dog Cujo, and the second one Pennywise.
Here's a crappy shot of me taken by my lazily throwing my camera on the hood of the rental truck instead of digging a tripod out of my bag like I should have.
And, for comparison, here's a shot of the hotel from Kubrick's Shining...
A shot from the made for TV movie actually featuring the Stanley Hotel...
And one I took.
So, having been disappointed by my inability to get any better shots, I drove off and decided to drive the five miles into the Rocky Mountain National Park. I figured I would drive across the Continental Divide, and follow that up with drive up to a 14,000 peak and get a picture of myself in some snow in June. How cool did that sound?!?
And then I drove up to the gate at the edge of the National Park and saw that a couple hour driving pass was $30+.
Now, I don't want to give the impression that I'm cheap. So far I would have been out about $50 or so bucks and would have willingly paid it... but I hadn't taken the expenditure of money into account when I'd planned the trip. I have a work expense account that paid for my gas, food, and accommodations. I hadn't cleared $50 or more bucks with Mrs. Zombie before my little adventure... and the dark Pagan gods know how much Mrs. Z scares me when it comes to the frivolous shedding of drachmas.
She'd have literally killed me.
So, thanks to her frugalness, my fear of her blind, homicidal Accountant-like rage, and the travesty of the last four presidential administrations' gutting of the National Park budget resulting in a need to charge me to view our national treasures... I angrily turned around and went and found a McDonald's.
What can I say -- I'm an emotional eater.
So I drove on, skirting the National Park.
I loved the sights, I still love the rugged beauty of Colorado, and would move there tomorrow... but my entire trip had the stink of unmet expectations all over it. I took some other pictures.
Like this cool rock formation the road drove through.
Or this elk or mule deer skeleton that had washed down the side of a cliff.
Or Long's Peak, which is over 14,000 feet in elevation and inaccessible without paying the government something I pay taxes for already.
Either way, it makes Dr. Z very unhappy.
But that's okay. National Park Service. I still love you. National Park Service? Darling? Light, of my life. I'm not gonna hurt ya. You didn't let me finish my sentence. I said, I'm not gonna hurt ya. I'm just going to bash your brains in.
Heeerrreee's Doctor Zombie!!!!!
I was torn between where I was going to go.... I mean, how do you follow up a tour of the house from Texas Chainsaw Massacre?
So I went to Colorado with two potential plans. The first was to return to Pikes Peak. You see, I went to Colorado for the first time back in 2005 or so. I took the time to visit the breathtaking Garden of the Gods, as well as drove up the twisty, windy Pikes Peak Highway. It was March and, although it was a comfortable and balmy 70 or so degrees in Colorado Springs, by the time I got to the Glen Cove rest station around 11,000 feet elevation, it was 20 degrees and the road any further up was impassable due to snow.
I was so impressed by the mountain and the rugged beauty of Colorado's Front Range, I began writing a short story on the plane ride home. The basis of the story revolved around my endless preoccupation with answering the question of 'What's your plan, Dr. Z, if the zombie apocalypse happens RIGHT NOW?'
This mental exercise was made even more interesting to me because, after seeing Pikes Peak and its remoteness, and considering I was further away from home then I'd ever been (save a trip to London on my honeymoon); I was dealing with the fact that I had to figure out how to get home across thousands of miles of open ground. It seemed entirely plausible to me that, if one was hiking in the remote wilderness of the Front Range or the Rockies, the zombie apocalypse could smolder, spark, and turn into a flesh-eating wildfire without your knowing it. Imagine emerging from the back country to find the world completely changed and damn near post-apocalyptic?
That short story - when combined with another that I'd recently written about a zombie-like virus - morphed into my second novel, A Darkness Within.
My plan was to - since its June - ride up to the summit of Pikes and maybe take some pictures of the sites that inspired my protaganists Sully and Laura's story.
However, one of my coworkers changed her flight and needed to get back to Denver early... which threw a monumental, Ebola-ridden, and entirely mangy monkey wrench into my plans.
So I moved to Plan B.
Was Plan B better? Probably not. But at least its tangentially related to horror... so I guess it'll have to suffice.
I decided Plan B was to visit the Stanley Hotel in Estes Park CO. While closer to the airport than returning and driving the crazy time consuming Pikes Peak Highway, I headed north of Denver and into the wilds of the Colorado Rockies. I drove straight into the world of horror great, Stephen King.
Driving past Boulder, the home of King's 'Good' side in The Stand - where Mother Abigail leads her wayward flock - I began the slow climb in elevation to the famous hotel that inspired one of King's best novels. That's right, faithful reader... I found myself on a roadtrip up to the hotel from Stephen King's The Shining.
Well, sort of...
You see, Stephen and Tabitha King decided to take a small vacation while they were living in Boulder and stayed at the Stanley in room 217. Unknown to them, they had booked their get away the day before the hotel closed for the season, so they found themselves the only residents for the short time. Given the hotel's history of hauntings, as well as the downright creepiness of a huge hotel where you're the only guest - it's only natural that King's imagination took a turn for the macabre.
Although the story may be apocryphal, it's said that King had insomnia and spent the night sitting up, creating and planning The Shining in his head.
The Shining went on to become a bestseller, a pop cultural touchstone, and was turned into one of the better (if not the best) adaptations of Stephen King's works.
Kubrick's masterpiece - featuring a tour de force performance by Jack Nicholson - is hands down one of the best movies of the era.
But, it goes without saying, the Kubrick masterpiece was NOT filmed at The Stanley. Alas, the film was shot at a hotel in Oregon - - but the Stanley's contribution to horror cannot be denied.
Plus, I feel a certain kinship to dear old Jack Torrance. He's a writer, I'm a writer. He likes drinking, I like drinking. He's prone to psychotic breaks and homicidal tendencies and I'm... well, nevermind.
Fortunately, if you're looking for a celluloid tie-in, I do have to mention that the remade TV miniseries starring Stephen Weber was filmed at the Stanley, which has a nice sort of karma to it, don't you agree.
Anyway, on to the travelogue.
So I drove on and, soon enough, found myself inundated with the earthy, delightful smell of junipers and pine trees as the elevation and flat plains of Colorado gave way to the majestic craggy canyons and mammoth rock faces of the Rockies. Around 7800 feet in elevation, lying in a valley below towering 14,000 foot peaks, is the town of Estes Park, Colorado.
Ringed by mountains, the town has several mountain rivers and a black, smooth, deep mountain lake in its heart.
And, visible from all over town - where it skulks like a raven in a withered tree - is the Stanley Hotel.
Here's the hotel from the main road.
And here's where my disappointment settles in.
You see, the Stanley, knowing its a tourist destination and that it has a unique place in literary history, charges you to go on its grounds. I, unfortunately, didn't have any cash and a talk to a nice lady at the Estes Park visitor center said the hotel frowned on horror geeks running around and snapping pictures inside the hotel. It apparently pisses off the guests. Whatever. It's a business - I get it. But they also have no problem touting the hotel's history and tie to Stephen King. Hell, they even run Kubrick's Shining non-stop, 24/7, on a channel in all their rooms. But, I was not deterred by their blatant capitalistic money grab.
I just took some pics from the grounds.
Here's a shot from almost straight on.
You may not know this, but the entire front lawn of the place is infested with prairie dogs. While I was snapping pictures, I had two especially vocal prairie dogs pop out of their holes and squeak at me in consternation. These are they.
By the way... I named the first prairie dog Cujo, and the second one Pennywise.
Here's a crappy shot of me taken by my lazily throwing my camera on the hood of the rental truck instead of digging a tripod out of my bag like I should have.
And, for comparison, here's a shot of the hotel from Kubrick's Shining...
A shot from the made for TV movie actually featuring the Stanley Hotel...
And one I took.
So, having been disappointed by my inability to get any better shots, I drove off and decided to drive the five miles into the Rocky Mountain National Park. I figured I would drive across the Continental Divide, and follow that up with drive up to a 14,000 peak and get a picture of myself in some snow in June. How cool did that sound?!?
And then I drove up to the gate at the edge of the National Park and saw that a couple hour driving pass was $30+.
Now, I don't want to give the impression that I'm cheap. So far I would have been out about $50 or so bucks and would have willingly paid it... but I hadn't taken the expenditure of money into account when I'd planned the trip. I have a work expense account that paid for my gas, food, and accommodations. I hadn't cleared $50 or more bucks with Mrs. Zombie before my little adventure... and the dark Pagan gods know how much Mrs. Z scares me when it comes to the frivolous shedding of drachmas.
She'd have literally killed me.
So, thanks to her frugalness, my fear of her blind, homicidal Accountant-like rage, and the travesty of the last four presidential administrations' gutting of the National Park budget resulting in a need to charge me to view our national treasures... I angrily turned around and went and found a McDonald's.
What can I say -- I'm an emotional eater.
I loved the sights, I still love the rugged beauty of Colorado, and would move there tomorrow... but my entire trip had the stink of unmet expectations all over it. I took some other pictures.
Like this cool rock formation the road drove through.
Or this elk or mule deer skeleton that had washed down the side of a cliff.
Or Long's Peak, which is over 14,000 feet in elevation and inaccessible without paying the government something I pay taxes for already.
Either way, it makes Dr. Z very unhappy.
But that's okay. National Park Service. I still love you. National Park Service? Darling? Light, of my life. I'm not gonna hurt ya. You didn't let me finish my sentence. I said, I'm not gonna hurt ya. I'm just going to bash your brains in.
Heeerrreee's Doctor Zombie!!!!!
Sunday, May 27, 2012
A Visit To Texas: Who Will Survive...
... and what will be left of them?!?
I had to go to Arizona and Texas for work this last week. I spent the first part of the week in Phoenix (otherwise known as "The Stunt Double for the Surface of the Fucking Sun") in 115 degree heat. I can't begin to tell you how much hate I have for the heat of Phoenix. I hate it with the white hot intensity of a burning sun, which - incidentally - is what it feels like there. I swear to the dark, Pagan gods - the place feels like it's somehow 1000 miles closer to the sun than anywhere else on the planet. A 1000 miles closer, and situated on the caldera of a fucking volcano. I often joke that the sun is trying to kill me. It's a funny joke, you see, because I'm an old school Goth and I hate summer and heat. But it's normally a joke.
In Phoenix? It's totally true -- the sun was really trying to kill me.
However, my stay there was short and a few days (and several pounds of water weight) later, I found myself in Austin, Texas.
I'm a fan of Austin. It's a cool, eclectic, hip town and have always had a great time there.
This trip, though, proved to be - quite literally - awesome.
You see, I worked like a dog in the heat, and desert, and beneath the brutal ultraviolet death rays of an angry sun because I had made some time at the end of the trip to indulge one of Doctor Zombie's favorite pasttimes - visiting iconic places from horror movies!
You may remember my previous trips into the heart of Zombieland, where I visited the Evans City Cemetery and the Monroeville Mall. Both places are near and dear to this horror fiend's heart because they're where George A. Romero filmed his two zombie masterpieces - Night of the Living Dead and Dawn of the Dead; respectively. Click on the titles to review the adventure, the terror, the insatiable hunger for road trip snacks like Vanilla Coke and beef jerky!
This time though, we strayed from our love of all things zombie and visited another place of cinematic note. I woke early and, after gassing up my rental pickup (I was in Texas. I was unaware that you're legally obligated to drive either an F150 or Dodge Ram pickup. The rental car company gave it to me without warning or notice. Peculiar, right?) I headed north of Austin to tread upon the bones and gristle and grindhouse memories of Tobe Hooper's 1974 classic - The Texas Chainsaw Massacre!
Here's my rental pickup truck. You thought I was kidding?

Anyway, I motored out of Austin into the ranch land of south central Texas. After an hour or so of brown dirt and grass, heat stunted trees, barrel cactuses, and quaintly named ranches; it suddenly hove into view... the terrror-inducing house that scared generations of teens with it's deranged, cannibalistic, chainsaw-wielding, human skin mask wearing inhabitants! It was ghastly! It was horrifying! IT WAS...
... a stop on bus tours for senior citizens?
The former TCM house, now the Junction House Restaraunt

Seriously, I pulled up and had a weird feeling of anomie upon viewing the iconic house of horror, and the fucking busload of senior citizens wandering around and milling about, smelling roses and talking about the senior lunch special. It was a bit disconcerting.
So I waded into the mob of octagenarians, and nonagenarians, and otherwise dinosauragenarians and grabbed the first waitress I could. "I'm here because of Texas Chainsaw Massacre. I'm not with the tour group... can you give me some info? Can I take pictures?"
As it was, the waitress showed absolutely no disgust or exasperation at yet another horror geek interrupting her day, and encouraged me to exlore the house. She also said I was welcome to join the bus tour for lunch (they're not normally open for lunch). I declined and bit back a question about whether or not Grandpa was going to get his lunch by sucking the blood from my fingers...
I then gleefully explored the house!
So, on to the photos.
Some history - the TCM house was actually located at an another site (where they filmed TCM) It was moved in the 1980's to its current residence on the grounds of the Antler Lodge hotel. It is - indeed - a nice, tasteful restaraunt and is very different from its horrific origins.
Here's a screenshot from the movie. this is the first opening shot of the house...
Note: Like in my Evans City Cemetery pictorial, I'll alternate my shots with screen shots from the movie.
So, our first look is from within the doorway, looking towards the stairs and central hallway. This was Jerry's first look into the house, right before he got whacked with a sledgehammer by our first, brief yet disturbing glance of Leatherface.
Here's how Jerry saw it...
...and here's how it looks today.

Much nicer, huh?
Immediately to the left is the first room of the house. It's here that poor terrifed Pam discovers whatever it is that keeps cannibalistic serial killers busy during their downtime. Apparently that involves making bone scuptures and plucking chickens inside the house.
Here's Pam, realizing that trespassing and being a hippy're both bad things.

And here's the bone room today.
Ahhh! The colors! The kitsch! The old people having lunch! Truthfully, I know you may think I'm weird, but I think the original decor was much more tasteful. Nothing says Better Homes and Gardens-worthy more than a few tastfully arranged human skulls and the sweet, pungent smell of fear!
Directly next to this room, and attached by a set of sliding doors, is the dining room that was so pivotal in the last half of the room. It was here that Sally had her strange dinner with the family. After the death of her brother Franklin, and after thinking she's escaped, she's kidnapped and wakes up to THIS view...
This is how Sally would view it if she had a burlap bag thrown over her head and was brought there today.
I think your intrepid horror reporter should score huge points on his readers' part for wading amidst the smell of old age and mothballs to snap these shots. Fortunately, the old people were still deciding whether or not they had taken their insulin shots that day and hadn't gotten to the first blood sugar destroying course of chardonnay and Southern sweet tea. I don't want to seem too circumspect, but I smell Pulitzer. Do they do that for horror writing geeks? Just saying...
Here's another shot, from the hallway looking into the dining room...
Moving on, I headed upstairs where it was much more quiet than downstairs. Also, upstairs, they had a small tribute to the houses illustrious history. As you come up the stairs, like Sally did early in the movie...
...you are greeted with a lifesize Leatherface mannequin, some bone sculptures, and a movie poster in tribute to the movie that made Texas synonomous with inbred psychopaths with a prediliction for gas powered lawn implements.
Fucking awesome!!! I, of course, had to pose with a picture with him. (Note the snazzy, sexy, kick ass Eric Pigors Toxic Toons t-shirt!)
And don't forget the chainsaw!
Immediately to the left of this is Grandma's room. In the movie, Sally ran across the upstairs to a room further into the house, but it is actually right there, and open. Here's how it looked in the movie with Sally discovering the mummified remains of Grandma and what she thinks are the remains of Grandpa.
And today, it's decorated with all kinds of cool Star Wars collectibles. Whoa. Star Wars collectibles? Huh? I guess it's become a repository for someone who loves mixing their geekiness. I guess I can't fault them for that...
I was so excited at this point, I had to pee. Seriously. Fortunately, there was a bathroom right there. That's right, bitches. I took a whiz in Leatherface's fucking house? Can YOU say that? What? What's that? You want proof? OK, then. Here's me washing my hands after having a waz.
Don't be jealous. Not everyone can be as cool as Doctor Zombie.
So, moving on.
Here's another quick shot I took of a framed TCM t-shirt. I was kind of bummed that they didn't have t-shirts or anything for sale. I'd have even bought a cheesy Junction Restaraunt t-shirt. If anybody from the Junction stumbles on this... this would be a great idea! And Doctor Z. should get a free one when you get around to it - just for giving you the idea.
Heading back downstairs, this is the angle we saw of Sally running away from Grandmas room, and towards Leatherface before running BACK up the stairs and out the window.
Now it looks slightly less creepy.
So, after deciding that I was probably ruining old people's meals... I headed outside for some shots of the still very recognizable exterior.
Here's a really cool publicity shot I found on the interwebs.
I tried to match it so you, my readers, could see that much of the original architecture is still intact.
Here's another iconic shot from the film. Here's where Pam, after discovering the bone room, is chased by Leatherface out the front door. He grabs her from behind and pulls her screaming back into the house of hell.
And here I am by the same door!
Here are two more iconic shots from the film. The first is of Sally fleeing from the house - chased by the maniacs.
The second is an iconic shot that actually doesn't appear in the movies, but was actually a publicity shot that shows Leatherface running down the driveway.
I point these out because I wanted to show a long shot that was similar.
Wait. What's that?
Holy crap!
It's hideous! It's like Leatherface... only uglier!!!
Run!
After this silliness, I decided to recreate another cool scene. Fortunately, I had an assistant with me. Believe it or not, I managed to talk one of my coworkers into going with me. She served as my assistant and as a stand in for Pam.
Here's Pam, waiting while Jerry's getting himself offed.
And here's my assistant, Mrs. Fear.
Cool, huh? She was actually a really really really good sport and spent two hours in a car after a hard week of work solely because she wanted to see some sights as well. That and she very patiently indulged my idiocy. Thank you, Mrs. Fear!
Some final shots...
Here's Sally coming out of the upstairs window at the rear...
And here's Leatherface looking at her. Notice the look of plaintive sadness, the distress at having lost yet another pretty girl. Leatherface is such a tragic, misundertood serial killer, don't you agree?
And here's the rear of the house today. No sad cannibals, just a sad Doctor Zombie because he had to leave Texas on a 3pm flight. Note: Yet another pickup truck! I told you, pickup trucks - like cowboy hats and drawls - are required in Texas. It's not just a rule... it's the fucking law!
And a closer one of the window...
I left very soon after this, my insatiable and unnatural hunger for Diet Vanilla Coke calling to me. I began the long drive back to Austin, happy in the knowledge that we didn't share the fate of Sally, Frankiln, and their friends under the blistering heat of a texas sun.
As a then unknown radio announcer said in the intro to the Texas Chainsaw Massacre - "But had they lived very, very long lives they could not have expected nor would they have wished to see so much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare."
That unknown radio announcer? The unyet discovered John Laroquette. Crazy, huh?
So, once again, I've explored the dark history of horror -- and survived unscathed. I survived my idyllic summer afternoon drive.
Stay tuned, I'm going to Colorado in a few weeks and am planning yet another horror-themed side trip. It'll be either the hotel in Colorado that inspired Stephen King's incredible horror story and the awesome Stanley Kubrick film adaptation of the same - The Shining; or it'll be something a little more personal... the main parts of Colorado Springs and Pikes Peak where my own novel, A Darkness Within, takes place early on. Either one is guaranteed to be really cool.
Unpleasant dreams, faithful reader.
I had to go to Arizona and Texas for work this last week. I spent the first part of the week in Phoenix (otherwise known as "The Stunt Double for the Surface of the Fucking Sun") in 115 degree heat. I can't begin to tell you how much hate I have for the heat of Phoenix. I hate it with the white hot intensity of a burning sun, which - incidentally - is what it feels like there. I swear to the dark, Pagan gods - the place feels like it's somehow 1000 miles closer to the sun than anywhere else on the planet. A 1000 miles closer, and situated on the caldera of a fucking volcano. I often joke that the sun is trying to kill me. It's a funny joke, you see, because I'm an old school Goth and I hate summer and heat. But it's normally a joke.
In Phoenix? It's totally true -- the sun was really trying to kill me.
However, my stay there was short and a few days (and several pounds of water weight) later, I found myself in Austin, Texas.
I'm a fan of Austin. It's a cool, eclectic, hip town and have always had a great time there.
This trip, though, proved to be - quite literally - awesome.
You see, I worked like a dog in the heat, and desert, and beneath the brutal ultraviolet death rays of an angry sun because I had made some time at the end of the trip to indulge one of Doctor Zombie's favorite pasttimes - visiting iconic places from horror movies!
You may remember my previous trips into the heart of Zombieland, where I visited the Evans City Cemetery and the Monroeville Mall. Both places are near and dear to this horror fiend's heart because they're where George A. Romero filmed his two zombie masterpieces - Night of the Living Dead and Dawn of the Dead; respectively. Click on the titles to review the adventure, the terror, the insatiable hunger for road trip snacks like Vanilla Coke and beef jerky!
This time though, we strayed from our love of all things zombie and visited another place of cinematic note. I woke early and, after gassing up my rental pickup (I was in Texas. I was unaware that you're legally obligated to drive either an F150 or Dodge Ram pickup. The rental car company gave it to me without warning or notice. Peculiar, right?) I headed north of Austin to tread upon the bones and gristle and grindhouse memories of Tobe Hooper's 1974 classic - The Texas Chainsaw Massacre!
Here's my rental pickup truck. You thought I was kidding?

Anyway, I motored out of Austin into the ranch land of south central Texas. After an hour or so of brown dirt and grass, heat stunted trees, barrel cactuses, and quaintly named ranches; it suddenly hove into view... the terrror-inducing house that scared generations of teens with it's deranged, cannibalistic, chainsaw-wielding, human skin mask wearing inhabitants! It was ghastly! It was horrifying! IT WAS...
... a stop on bus tours for senior citizens?
The former TCM house, now the Junction House Restaraunt

Seriously, I pulled up and had a weird feeling of anomie upon viewing the iconic house of horror, and the fucking busload of senior citizens wandering around and milling about, smelling roses and talking about the senior lunch special. It was a bit disconcerting.
So I waded into the mob of octagenarians, and nonagenarians, and otherwise dinosauragenarians and grabbed the first waitress I could. "I'm here because of Texas Chainsaw Massacre. I'm not with the tour group... can you give me some info? Can I take pictures?"
As it was, the waitress showed absolutely no disgust or exasperation at yet another horror geek interrupting her day, and encouraged me to exlore the house. She also said I was welcome to join the bus tour for lunch (they're not normally open for lunch). I declined and bit back a question about whether or not Grandpa was going to get his lunch by sucking the blood from my fingers...
I then gleefully explored the house!
So, on to the photos.
Some history - the TCM house was actually located at an another site (where they filmed TCM) It was moved in the 1980's to its current residence on the grounds of the Antler Lodge hotel. It is - indeed - a nice, tasteful restaraunt and is very different from its horrific origins.
Here's a screenshot from the movie. this is the first opening shot of the house...
Note: Like in my Evans City Cemetery pictorial, I'll alternate my shots with screen shots from the movie.
So, our first look is from within the doorway, looking towards the stairs and central hallway. This was Jerry's first look into the house, right before he got whacked with a sledgehammer by our first, brief yet disturbing glance of Leatherface.
Here's how Jerry saw it...
...and here's how it looks today.

Much nicer, huh?
Immediately to the left is the first room of the house. It's here that poor terrifed Pam discovers whatever it is that keeps cannibalistic serial killers busy during their downtime. Apparently that involves making bone scuptures and plucking chickens inside the house.
Here's Pam, realizing that trespassing and being a hippy're both bad things.

And here's the bone room today.
Ahhh! The colors! The kitsch! The old people having lunch! Truthfully, I know you may think I'm weird, but I think the original decor was much more tasteful. Nothing says Better Homes and Gardens-worthy more than a few tastfully arranged human skulls and the sweet, pungent smell of fear!
Directly next to this room, and attached by a set of sliding doors, is the dining room that was so pivotal in the last half of the room. It was here that Sally had her strange dinner with the family. After the death of her brother Franklin, and after thinking she's escaped, she's kidnapped and wakes up to THIS view...
This is how Sally would view it if she had a burlap bag thrown over her head and was brought there today.
I think your intrepid horror reporter should score huge points on his readers' part for wading amidst the smell of old age and mothballs to snap these shots. Fortunately, the old people were still deciding whether or not they had taken their insulin shots that day and hadn't gotten to the first blood sugar destroying course of chardonnay and Southern sweet tea. I don't want to seem too circumspect, but I smell Pulitzer. Do they do that for horror writing geeks? Just saying...
Here's another shot, from the hallway looking into the dining room...
Moving on, I headed upstairs where it was much more quiet than downstairs. Also, upstairs, they had a small tribute to the houses illustrious history. As you come up the stairs, like Sally did early in the movie...
...you are greeted with a lifesize Leatherface mannequin, some bone sculptures, and a movie poster in tribute to the movie that made Texas synonomous with inbred psychopaths with a prediliction for gas powered lawn implements.
Fucking awesome!!! I, of course, had to pose with a picture with him. (Note the snazzy, sexy, kick ass Eric Pigors Toxic Toons t-shirt!)
And don't forget the chainsaw!
I took another picture of the Leatherhead tribute because, behind it and the incongrous Bates Motel sign, is the window that Sally jumped out of. Here's Sally, springing out the window...
And here's a long shot of the window...
And today, it's decorated with all kinds of cool Star Wars collectibles. Whoa. Star Wars collectibles? Huh? I guess it's become a repository for someone who loves mixing their geekiness. I guess I can't fault them for that...
I was so excited at this point, I had to pee. Seriously. Fortunately, there was a bathroom right there. That's right, bitches. I took a whiz in Leatherface's fucking house? Can YOU say that? What? What's that? You want proof? OK, then. Here's me washing my hands after having a waz.
Don't be jealous. Not everyone can be as cool as Doctor Zombie.
So, moving on.
Here's another quick shot I took of a framed TCM t-shirt. I was kind of bummed that they didn't have t-shirts or anything for sale. I'd have even bought a cheesy Junction Restaraunt t-shirt. If anybody from the Junction stumbles on this... this would be a great idea! And Doctor Z. should get a free one when you get around to it - just for giving you the idea.
Heading back downstairs, this is the angle we saw of Sally running away from Grandmas room, and towards Leatherface before running BACK up the stairs and out the window.
Now it looks slightly less creepy.
So, after deciding that I was probably ruining old people's meals... I headed outside for some shots of the still very recognizable exterior.
Here's a really cool publicity shot I found on the interwebs.
I tried to match it so you, my readers, could see that much of the original architecture is still intact.
Here's another iconic shot from the film. Here's where Pam, after discovering the bone room, is chased by Leatherface out the front door. He grabs her from behind and pulls her screaming back into the house of hell.
And here I am by the same door!
Here are two more iconic shots from the film. The first is of Sally fleeing from the house - chased by the maniacs.
The second is an iconic shot that actually doesn't appear in the movies, but was actually a publicity shot that shows Leatherface running down the driveway.
I point these out because I wanted to show a long shot that was similar.
Wait. What's that?
Holy crap!
It's hideous! It's like Leatherface... only uglier!!!
Run!
After this silliness, I decided to recreate another cool scene. Fortunately, I had an assistant with me. Believe it or not, I managed to talk one of my coworkers into going with me. She served as my assistant and as a stand in for Pam.
Here's Pam, waiting while Jerry's getting himself offed.
And here's my assistant, Mrs. Fear.
Cool, huh? She was actually a really really really good sport and spent two hours in a car after a hard week of work solely because she wanted to see some sights as well. That and she very patiently indulged my idiocy. Thank you, Mrs. Fear!
Some final shots...
Here's Sally coming out of the upstairs window at the rear...
And here's Leatherface looking at her. Notice the look of plaintive sadness, the distress at having lost yet another pretty girl. Leatherface is such a tragic, misundertood serial killer, don't you agree?
And here's the rear of the house today. No sad cannibals, just a sad Doctor Zombie because he had to leave Texas on a 3pm flight. Note: Yet another pickup truck! I told you, pickup trucks - like cowboy hats and drawls - are required in Texas. It's not just a rule... it's the fucking law!
And a closer one of the window...
I left very soon after this, my insatiable and unnatural hunger for Diet Vanilla Coke calling to me. I began the long drive back to Austin, happy in the knowledge that we didn't share the fate of Sally, Frankiln, and their friends under the blistering heat of a texas sun.
As a then unknown radio announcer said in the intro to the Texas Chainsaw Massacre - "But had they lived very, very long lives they could not have expected nor would they have wished to see so much of the mad and macabre as they were to see that day. For them an idyllic summer afternoon drive became a nightmare."
That unknown radio announcer? The unyet discovered John Laroquette. Crazy, huh?
So, once again, I've explored the dark history of horror -- and survived unscathed. I survived my idyllic summer afternoon drive.
I hope you enjoyed the pictorial as much as I did visiting the site, dear reader.
Stay tuned, I'm going to Colorado in a few weeks and am planning yet another horror-themed side trip. It'll be either the hotel in Colorado that inspired Stephen King's incredible horror story and the awesome Stanley Kubrick film adaptation of the same - The Shining; or it'll be something a little more personal... the main parts of Colorado Springs and Pikes Peak where my own novel, A Darkness Within, takes place early on. Either one is guaranteed to be really cool.
Unpleasant dreams, faithful reader.
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